8 thoughts on “ Bong (4) - We Are, We Were And We Will Have Been (Vinyl, LP, Album) ”

1. If we think there is an issue with the shipping address, or that packages are being stolen in the post, we reserve the right to refuse future orders to these addresses. Insurance. We automatically add an insurance supplement to orders over £ Orders between £30 - .

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2. White1 is the third album by Sunn O). It was the most significant departure from their original style to date. Each track was experimental in its own way, with Julian Cope reciting occult druidic poetry for half of "My Wall", Norwegian lyrics sung by Runhild Gammelsæter of Thorr's Hammer as an intro to a drum machine and stoner metal bass riff in "The Gates of Ballard", and the drone track "A.

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3. Take _We Are, We Were and We Will Have Been. Clue number one: it’s by a band called Bong. Clue number two: it only has two tracks, both of which are close to 20 minutes long. I think it’s fair to assume it will not be an album built around hooks. And indeed it isn’t.

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4. Find album credit information for We Are, We Were and We Will Have Been - Bong on AllMusic.

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5. We are, we were and we will have been by Bong, released 1. Time regained 2. Find your own gods "We are, we were and we will have been" continues Bong’s unregulated experiments on tonal prolonging. Solemn in its delivery and frightening in its implications, this latest album signifies a point of no return from the Pied Pipers of mesmeric drone, its two near twenty minute tracks.

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6. Bong - ’We Are, We Were And We Will Have Been’ (Album Review) By: Joosep Nilk. Album Type: We Were And We Will Have Been’ CD//DD//LP track listing: 1). Time Regained. 2). It’s more of a mini-album compared to Bong’s usual colossal outings, but it’s surely one capable of cleansing one’s being of the inessential, thus being.

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7. May 26,  · View credits, reviews, tracks and shop for the File release of We Are, We Were And We Will Have Been on Discogs.

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8. We are, we were and we will have been is Bong's report from their explorations past the point where others fear. The album was captured and mixed in November by Mark Wood at the Soundroom in Gateshead, and the cover art is from ›Thomson's Aeolian Harp‹, by famed pre-impressionist painter JMW Turner, picturing an infant London in the.

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